The language of the 80
D'Museum Gallery opens the exhibition entitled "Ten of the 80" Falcon
For Dubraska
For Dubraska
In the 80's, art in Venezuela speaks several languages. In that decade, he tore the straitjacket that was inherited from the geometric and kinetic art. The bonds were released and as a Tower of Babel national art began to speak different languages \u200b\u200band with different artistic expressions. He developed a personal language. And today some of those responsible for this event that marked pattern in Venezuelan art history will gather today in the Gallery D'Museum to be the body of the sample Ten of the 80.
Curated by Nicomedes Febres, the exhibition will tour the work of the 80's and now of Milton Becerra, Sigfredo Chacón, Héctor Fuenmayor, Victor Hugo Irazábal, Luis Lizardo, Julio Pacheco Rivas, Jorge Pizzani, Pancho Quilici, Miguel von Dangel and Carlos Zerpa.
"We did not get the overnight to the 80. We came from 60 and 70 working. Each person did what he wanted to do and that's the part that moves me more," says Carlos Zerpa.
"There was almost an obligation for us so we followed the path of teachers, especially in the geometric and kinetic world. But everyone developed their own personal language, began to construct their things and develop their work. And part of some As seen in this exhibition is as everyone has their own personality and language. Things do not look! "Said Zerpa.
And so they took his job with the art boom of the pictorial movement that began to be harvested around the world in the 80's. Although this group of ten ensure that penalties are a representation of all the artistic explosion of the moment.
"It was a moment in Venezuela, but also in the world. Explodes in the 80 not only in the plastic, but in all the conceptual movement. They seem to have found all aspects of art. The major proposal of the great avant-garde. Facts still feel so that's why he made a presentation exclusively from the 80's. Somehow here we are only 10. But it was a huge move, if you get to do a chronology of what actually took part in this time would we get an encyclopedia, "says Jorge Pizzani
" We are more than 10. The good thing is that we believed in what we were doing in the development of individual work. In addition, flow work by the same authors of 80 and currently is not even similar. We are not in uniform for people to see our sample thought they were the same artist, "said Zerpa.
curatorial Ten of the sample 80 is formed to show the work that artists did 30 years ago and they are creating today. This shows the progress of each of the proposals, I even back to the start of work. It is noteworthy that none of them have stopped working.
"Here is an example of the time. The sample is the view we have today about the activity that was created in the 80, that truth is not so far away. I want to see how it can be seen today. is that when you do a job just seem detestable things. But over time you get a different view, "said Julio Pacheco Rivas.
This trio of artists who prefer not to be called teachers, but artists, agrees to present this exhibition now has an end point: the art is an endurance race. "It is not about being first in this race. You have to be every day. In addition, they must take responsibility at a time where we need to take positions and to cover unfortunate that there are gaps," says Pacheco Rivas.
"Everything that is happening in this moment of darkness that we live today is going to surface. All that is repressed overflows. I am convinced that something is brewing here that is a posteriori, after much repression and so readily of nonsense. They'll be better days, because we will have light, "says Jorge Pizzani.
Curated by Nicomedes Febres, the exhibition will tour the work of the 80's and now of Milton Becerra, Sigfredo Chacón, Héctor Fuenmayor, Victor Hugo Irazábal, Luis Lizardo, Julio Pacheco Rivas, Jorge Pizzani, Pancho Quilici, Miguel von Dangel and Carlos Zerpa.
"We did not get the overnight to the 80. We came from 60 and 70 working. Each person did what he wanted to do and that's the part that moves me more," says Carlos Zerpa.
"There was almost an obligation for us so we followed the path of teachers, especially in the geometric and kinetic world. But everyone developed their own personal language, began to construct their things and develop their work. And part of some As seen in this exhibition is as everyone has their own personality and language. Things do not look! "Said Zerpa.
And so they took his job with the art boom of the pictorial movement that began to be harvested around the world in the 80's. Although this group of ten ensure that penalties are a representation of all the artistic explosion of the moment.
"It was a moment in Venezuela, but also in the world. Explodes in the 80 not only in the plastic, but in all the conceptual movement. They seem to have found all aspects of art. The major proposal of the great avant-garde. Facts still feel so that's why he made a presentation exclusively from the 80's. Somehow here we are only 10. But it was a huge move, if you get to do a chronology of what actually took part in this time would we get an encyclopedia, "says Jorge Pizzani
" We are more than 10. The good thing is that we believed in what we were doing in the development of individual work. In addition, flow work by the same authors of 80 and currently is not even similar. We are not in uniform for people to see our sample thought they were the same artist, "said Zerpa.
curatorial Ten of the sample 80 is formed to show the work that artists did 30 years ago and they are creating today. This shows the progress of each of the proposals, I even back to the start of work. It is noteworthy that none of them have stopped working.
"Here is an example of the time. The sample is the view we have today about the activity that was created in the 80, that truth is not so far away. I want to see how it can be seen today. is that when you do a job just seem detestable things. But over time you get a different view, "said Julio Pacheco Rivas.
This trio of artists who prefer not to be called teachers, but artists, agrees to present this exhibition now has an end point: the art is an endurance race. "It is not about being first in this race. You have to be every day. In addition, they must take responsibility at a time where we need to take positions and to cover unfortunate that there are gaps," says Pacheco Rivas.
"Everything that is happening in this moment of darkness that we live today is going to surface. All that is repressed overflows. I am convinced that something is brewing here that is a posteriori, after much repression and so readily of nonsense. They'll be better days, because we will have light, "says Jorge Pizzani.
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